Chick's odious ideology

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Jeet Heer calls the late Jack Chick the Leni Riefenstahl of American cartooning:

Beloved by his fellow fundamentalists, who bought his tracts by the hundreds of millions and seeded them in bus stops and diners all over the world, Chick was widely derided by the world at large where he was seen, accurately, as a producer of hate literature.

Chick's tracts had a disturbing power to make you see the world through his eyes, a squirrelly and sweaty vantage point where everything is a demonic conspiracy to rob you of your soul.

Here, Heer makes the Riefenstahl comparison in detail:

Like the Nazi filmmaker who made Triumph of the Will, Chick was an artist of genuine skill who put his talent in the service of an odious ideology. Both Riefenstahl and Chick raise perennial and unsolvable problems about the relationship between content and form: Can art transcend the intentions of the artist? Can we separate out the message of a work of art from the artistry it contains? Art that helps us understand the mind of another is valuable, but what do we do with art by a mind like Chick's, whose sheer hatefulness numbs empathy?

It does seem an apt comparison, although I'm wary of Nazi analogies.

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This page contains a single entry by cognitivedissident published on October 27, 2016 12:51 PM.

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